After the flood of Oscar-approved movies at the end of the year, the first couple months of each year are notoriously slow for movies. But now that we’re a third of the way through 2011, there have been some pretty interesting releases. Yes, January and February were filled with the usual mainstream dreck, but also a couple of indies that got lost in the shuffle. And through March and April, we saw a mix of a few quality blockbusters and unique smaller films. As always, there have been box office flops and surprise hits. First, here’s a look at the 10 highest grossing films of the year so far (ranked by U.S. box office results):
- Rango – $120m
- Hop – $105.6m
- Rio – $102.8m
- Just Go With It – $102.8m
- The Green Hornet – $98.8m
- Gnomeo and Juliet – $98.8m
- Fast Five – $98.6m
- Battle: Los Angeles – $82.8m
- Limitless – $76.3m
- Justin Bieber: Never Say Never – $73m
Now, the big player there aside from cartoons is the new release Fast Five, which made almost as much in its first weekend as The Green Hornet did during its entire run. Meanwhile other more “cerebral” wide releases, such as The Adjustment Bureau and Source Code turned in solid but not spectacular box office results.
Here’s a look (in poster form!) at what seem like the most interesting offerings of 2011, so far. I’ve seen a couple of them, and the rest are all on my to-watch list.
Posted in Miscellaneous
Tagged 2011 movies, Cedar Rapids, Ceremony, Daydream Nation, Hanna, Happythankyoumoreplease, Limitless, Meek's Cutoff, movie posters, Movies, Source Code, The Adjustment Bureau, The Bang Bang Club, The Conspirator, The Lincoln Lawyer, Water for Elephants, Win Win
I vaguely heard about Steven Silver’s new film, The Bang Bang Club, when it played at TIFF, though it didn’t seem to make much of a splash. Now, it’s finally getting a theatrical run, and Tribeca films has released the first official trailer.
If you’d asked me who was in this movie before watching the trailer, I could not have told you. But it turns out that the film stars Ryan Phillippe and Tim Riggins Taylor Kitsch as two photographers working among poverty and strife in South Africa during the mid-1990’s. Malin Akerman also stars as an editor that the team works with.
Phillippe, Kitsch, and Akerman are not three people that I generally associate with top-notch acting. And not knowing much about the film’s premise before watching the trailer, I had expected something rather different. But this actually looks pretty good. Silver’s previous work has been mainly in documentaries, and it shows here in what seems to be an effectively filmed and edited movie (or trailer, at least). Yes, it does have the Hollywood sheen, but The Bang Bang Club actually looks to be more heavily focussed on the moral implications of what these photographers are doing, rather than a bunch of cool explosions.
And maybe I’m being too harsh on these actors, because they look decent here (aside from some dubious accents). The jury is still out as to whether Akerman can act, but Phillippe can be good, and to me, Kitsch is one of the most fascinating young “heartthrob” actors around. I haven’t seen him in anything besides the first season of Friday Night Lights, and I couldn’t decide if his acting was awful or legitimately good on that show. He obviously has tons of charisma, and he brought a strange understated humour. But even if Kitsch is not a good actor (which is entirely possible), I have to give him credit for creating such a bizarrely compelling character in Tim Riggins.
But I could go on all day about my love for Tim Riggins. Let’s not get into that. Instead, I’ll simply say that I am now a lot more interested in The Bang Bang Club.