Tag Archives: Guy Pearce

Review: Brimstone

Brimstone

Somewhere within Martin Koolhoven’s Brimstone is a film with a fiercely feminist slant. Set in front of a fairly typical 19th century western backdrop, the film follows Liz (Dakota Fanning), a young mother being terrorized by a sinister preacher (Guy Pearce) who has his sights set on her. Throughout its ample 148-minute runtime, Brimstone shows the injustice and abuse that women face, as well as the ways they seek revenge. But while that may sound interesting or even empowering in theory, where Brimstone flies woefully off the rails is in the leering, exploitative way it presents its presumably well-intentioned message.

This isn’t to say that a film can’t be shocking while still making its points. And indeed, in one way I respect Koolhoven’s commitment to brutality; his hand is unflinching and his vision clear. The problem, though, comes from the fact that his vision happens to be so unrelentingly nasty that Brimstone becomes a complete slog by the time it wheezes to the end of its four-chapter structure. The shock value wears off early on, leaving the viewer with a sort of grimness set at the same pitch throughout, rarely evolving after the film’s first half hour or so.

Some of the brutality comes with a side helping of Koolhoven’s pitch-black sense of humour, and it’s easy to see that a lot of Brimstone’s most debauched moments are meant to be very darkly satirical. However, it seems that satire serves no real purpose other than to slightly lessen the blow of the twisted things Koolhoven is presenting on screen. Some viewers will be offended by the crimes that are fairly graphically inflicted on women, children, and animals throughout the film. Others, like myself, will find them trying so hard to be “edgy” that they lose all impact.

Koolhoven is clearly going for an in-your-face brashness (as evidenced even by the film’s title card, which declares it “Koolhoven’s Brimstone”) and his style is not without its merits. Resting in some ethereal realm between arthouse and schlock, there’s an elegant griminess to Brimstone that there just might be a gap in the market for. Despite largely really disliking this film, I still wouldn’t be opposed to checking out what Koolhoven makes next.

Dakota Fanning makes the most of things, delivering a powerful, measured lead performance despite the lack of character development included in the script. As the film settles in and you start calculating exactly how many minutes are left in the runtime, she and the film’s moody, burnished cinematography become two bright spots amid the mire. It would be unfair to expect that to be enough to carry the whole bloated beast, but it does kind of justify the film’s existence, and that’s not nothing.

It’s unclear if the world really needed the creation of a “Dutch psychosexual western” film subgenre, but it’s probably safe to say that Koolhoven has now cornered the market. Unfortunately, Brimstone just never follows through on its sweeping vision. Koolhoven clearly has the visual flair and attitude to pull it off, but it’s yet to be seen if he has it in him to find the restraint and narrative thrust necessary to really get a bizarre film like Brimstone off the ground. It seems unlikely he’ll stop trying, though.

10 Unsung Performances of the 00’s

A few months back, I wrapped up my Best Performances of the Decade series. But while that list included a lot of familiar names and acclaimed performances, I’ve decided to take a look at some of the performances that not everyone has seen. This list contains no Oscar or Golden Globe nominated roles, and I’ve limited myself to performances that received little or no awards attention and were relatively overlooked by audiences (as much as I think that Jim Carrey, Peter Sarsgaard, and Rebecca Hall should’ve been nominated for Oscars, they did receive a considerable awards attention elsewhere for the roles in question, which disqualified them from the list). Here are ten unfairly under-recognized performances from the past decade, in alphabetical order.

Daniel Bruhl – Good Bye Lenin!

Inglourious Basterds may have introduced German actor Daniel Bruhl to a wider North American audience, but it’s 2003’s Good
Bye Lenin! that really showcases his skills. Bruhl’s charismatic performance carries the film, and he nails the sense of whimsy that permeates every scene. Heartbreaking at times and hilarious at others, Bruhl’s performance shows enough genuine charm to cross all language barriers.

Clifton Collins Jr. – Capote

Clifton Collins Jr. is a solid character actor who has lately been favouring tiny roles in big studio films (Star Trek, Brothers). But if there’s one film that proves why he should get bigger roles, it’s Capote. Playing one of the two murderers that Truman Capote investigated for In Cold Blood, Collins makes his character Perry disarmingly and chillingly sympathetic. Collins is every bit as good as lead Philip Seymour Hoffman, and the scenes that they share together are breathtakingly intimate.

Abbie Cornish – Bright Star

Abbie Cornish’s performance as Fanny Brawne, the young love interest of poet John Keats, is just as beautiful as the cinematography in Bright Star. She revels in Fanny’s feisty modernity, but also reflects the melancholy of her restrained life. As Fanny’s relationship with Keats evolves, so does Cornish’s performance – ranging from star-struck to distraught over the course of the film. It truly is a breath of fresh air.

Robert Downey Jr. – Kiss Kiss Bang Bang

A favourite performance among his fans, Robert Downey Jr.’s work in Kiss Kiss Bang Bang proves why so many people love him. He’s hilarious, bumbling, and sexy as our protagonist and snarky narrator. Always a scene-stealer, Downey is the epitome of charisma here.

Emile Hirsch – Into the Wild

Previously best known for his work in the teen sex romp The Girl Next Door, Emile Hirsch stunned audiences with his raw performance in Sean Penn’s directorial debut, Into the Wild. Playing a young man who gives up his material possessions and sets out for the Alaskan wilderness, Hirsch is often the only person on screen throughout the film’s 2.5 hour running time. Hirsch takes what could have been a purely preachy character and injects a sense of vulnerability that makes his optimism admirable. He’s entirely charismatic and compelling.

Jared Leto – Requiem for a Dream

Ellen Burstyn received a well-deserved Oscar nomination for her work in Darren Aronofsky’s Requiem for a Dream, but the unsung MVP of the film is Jared Leto. Leto’s strangely iconic turn as Jordan Catalano in My So-Called Life coupled with his foray into emo music has made him something of a critical punching bag, but he proves what an amazing actor he can be here. Much like the film itself, Leto’s performance as Harry is dark and harrowing. It easily could have become caricature, but his performance as a drug-addled optimist cuts right to the bone.

Daniel Day-Lewis – The Ballad of Jack and Rose

As one of the most acclaimed actors of his generation, it’s surprising to see how often Daniel Day-Lewis’ performance in The Ballad and Jack and Rose is overlooked. It may not be as “big” as some of the other performances that he gave in the past decade, but Lewis’ work here is just as good as anything else he’s done. Playing a quietly desperate, confused man, Lewis’ performance is heartbreaking and unforgettable.

Guy Pearce – Factory Girl

Always a chameleon, Guy Pearce’s turn as the legendary Andy Warhol is uncanny. To me, the entire film is underrated, but Pearce’s performance is certainly the highlight of Factory Girl. The character is often downright unlikeable, and Pearce’s snarky screen presence is striking.

Sam Rockwell – Snow Angels

Sam Rockwell is an actor who is just starting to get the recognition that he deserves, and it’s easy to see why with a film like Snow Angels. David Gordon Green’s story of small-town tragedy is disturbingly beautiful, and Rockwell is stunning as a recovering-alcoholic-turned-evangelist. The film’s bombastic final moments are only amplified by the quiet, desperate journey that Rocwell’s performance takes us on.

Mark Ruffalo – You Can Count On Me

You Can Count on Me is a film that I recently caught up with, and while it provided my favourite Laura Linney performance to date, the real stand-out for me was Mark Ruffalo. His character is an insufferable screw-up, yet rather than making him a downbeat loser, Ruffalo revels in his messiness and makes him a purely charming, memorable guy. There are no big “cinematic” moments in the film, but this allows Ruffalo to give an all-around great performance, rather than relying on select scenes to stand out.

Honourable Mentions

Samantha Morton – Control

Michael Angarno – Snow Angels

Ryan Gosling –The United States of Leland

Keri Russell – Waitress

Jason Bateman – Juno

Benicio Del Toro – Thing We Lost in the Fire

Favourite Working Actors

This list is clearly skewed young, but here are ten actors (plus a few honourable mentions and rising stars) that I love watching onscreen. Feel free to discuss my choices or share you own lists in the comments!

1. Robert Downey Jr.

Essential Filmography: Kiss Kiss Bang Bang (2005), Tropic Thunder (2008), Chaplin (1992), Zodiac (2007)

Underappreciated Work: Wonderboys (2000)

2. Philip Seymour Hoffman

Essential Filmography: Capote (2005), Magnolia (1999), Synecdoche, New York (2008)

Underappreciated Work: Almost Famous (2000)

3. Daniel Day-Lewis

Essential Filmography: There Will Be Blood (2007), My Left Foot (1989), Gangs of New York (2002)

Underappreciated Work: The Ballad of Jack and Rose (2005)

4. Ryan Gosling

Essential Filmography: Half Nelson (2006), Lars and the Real Girl (2007), The Believer (2001)

Underappreciated Work: The United States of Leland (2003)

5. Casey Affleck

Essential Filmography: The Assassination of Jesse James by the Coward Robert Ford (2007), Gone Baby Gone (2007)

Underappreciated Work: Lonesome Jim (2006)

6. Leonardo DiCaprio

Essential Filmography: What’s Eating Gilbert Grape (1992), The Departed (2006), The Aviator (2002), Titanic (1997)

Underappreciated Work: Romeo + Juliet (1996)

7. Joseph Gordon-Levitt

Essential Filmography: Mysterious Skin (2004), 500 Days of Summer (2009), Brick (2006)

Underappreciated Work: The Lookout (2007)

8. Ethan Hawke

Essential Filmography: Before Sunrise (1995), Dead Poets Society (1989), Training Day (2001)

Underappreciated Work: Reality Bites (1995)

9. Joaquin Phoenix

Essential Filmography: Walk the Line (2005), Gladiator (2000), Two Lovers (2009)

Underappreciated Work: Signs (2002)

10. Colin Firth

Essential Filmography: A Single Man (2009), Bridget Jones’s Diary (2001)

Underappreciated Work: Girl With a Pearl Earring(2003)

Honourable Mentions





Aaron Eckhart (Thank You for Smoking)
Michael Sheen (Frost/Nixon)
Peter Sarsgaard (Shattered Glass)
Benicio Del Toro (Things We Lost in the Fire)
Edward Norton (The Score)
Guy Pearce (Memento)
Sam Rockwell (Snow Angels)

5 Promising Newcomers




Emile Hirsch (Into the Wild, Milk)
Ben Whishaw (Bright Star)
Sam Riley (Control)
Michael Angarano (Snow Angels)
Logan Lerman (3:10 to Yuma)