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The Toronto International Film Festival announced its first wave of festival programming via a live press conference this morning. After weeks of speculation and rumour, it turns out that many of the films that fans were hoping to see on the list will in fact play at the festival this year.
TIFF, which usually favours smaller, independent fare, will play host to a couple of big-budget blockbusters-to-be in September. Rian Johnson’s Looper will open the festival with a special gala on September 6. The sci-fi action film stars Joseph Gordon-Levitt, Bruce Willis, and Emily Blunt, and is set to hit theatres for a major release on September 28. This marks a significant step up for TIFF’s opening film in terms of budget and profile. Last year’s opening film was the U2 documentary From the Sky Down, and the year before that, the Charles Darwin biopic, Creation.
The folks at TIFF also announced that the Wachowski’s Cloud Atlas will also premiere at the festival. Starring Tom Hanks, Halle Berry, Susan Sarandon, and Hugh Grant and boasting an estimated budget of $140 million, this is definitely one of the biggest films TIFF has ever welcomed.
On a slightly smaller scale but no less exciting is the announcement that Terrence Malick’s latest project, To the Wonder, will screen at TIFF. Given the long post-production life of The Tree of Life and Mallick’s typical long gaps between films, some fans thought it was unlikely Mallick’s next project would be ready in time. However, the film, which stars Ben Affleck, Rachel McAdams, and Javier Bardem will in fact make its world premiere at TIFF this year.
Other big name directors whose films will show at TIFF include Ben Affleck with Argo (starring Affleck and Bryan Cranston), David O. Russell with Silver Linings Playbook (starring Bradley Cooper, Robert De Niro, and Jennifer Lawrence), Noah Baumbach with Frances Ha (starring Greta Gerwig), Joe Wright with Anna Karenina (starring Keira Knightley and Jude Law), and Robert Redford with his star-packed The Company You Keep (Redford, Shia LaBeouf, Julie Christie, Terrence Howard, Brendan Gleeson, Sam Elliott, Anna Kendrick, Richard Jenkins, Nick Nolte, Brit Marling, Stanley Tucci, Susan Sarandon, and Chris Cooper).
Speaking of stars, TIFF will once again celebrate Ryan Gosling, as they host the world premiere of The Place Beyond the Pines. Directed by Blue Valentine helmer Derek Cianfrance, the film stars Gosling and Bradley Cooper as a stunt rider and a cop who square off. Other big names you might see walking around Toronto this September include Zac Efron (At Any Price), Marion Cotillard (Rust and Bone), Bill Murray (Hyde Park on Hudson), Jake Gyllenhaal (End of Watch), Kevin Bacon (Jayne Mansfield’s Car), and Kristen Wiig’s (Imogene).
And while it’s easy to get caught up in the glitzy star spectacle that TIFF can become, it is also a festival that honours a lot of Canadian and foreign films, too. TIFF will round out its line-up in the coming weeks with more of these titles. For now, though, we know that Ruba Naddi’s Inescapable (starring Marisa Tomei and Fringe‘s Joshua Jackson) and Deepa Mehta’s Midnight’s Children will be two Canadian films having their world premieres at TIFF. The latter also tie’s into the festival’s “City to City” theme, which this year will highlight films from and about Mumbai, India.
The Toronto International Film Festival will run September 6-16. See the full list of films announced this morning at tiff.net/thefestival/filmprogramming
Vanity Fair, March 2011
- LOL @ Robert Duvall
- I like everyone on here (I’ve yet to see any of Jennifer Lawrence’s or Noomi Rapace’s films, but they seem cool, I guess?). I would’ve rolled my eyes at Olivia Wilde (especially in that outfit), but I thought she was surprisingly good in TRON: Legacy.
- Rapace and Anthony Mackie (who is fabulous in The Hurt Locker and Half Nelson) are unexpected choices, but it’s nice to see a broader spectrum of actors here (in other words, I’m glad that they didn’t just pick a bunch of twiggy little starlets…though I wouldn’t have minded seeing Emma Stone on here. But I digress.)
- I like that they’re mixing more established actors (the four lovely folks on the first panel) with smart choices in newer actors. Garfield, Hedlund, and Lawrence were practically unknowns a year ago, but they’re three actors who seem to have a bright future ahead. And I like that Jesse Eisenberg, Joseph Gordon-Levitt and Mila Kunis, who have been acting for years are finally getting their due.
- The men all look verrrrry dapper
Few actors are more charming than Anne Hathaway and Jake Gyllenhaal, and it’s great to see them together again in this trailer for the upcoming film, Love and Other Drugs. It looks a lot more comedic than I was expecting, and a lot less of the focus was on the Viagara aspect than I would have thought, but despite a few jokes that fell a bit flat in the trailer, it looks really charming. And it must be said: Oh my God, Jake Gyllenhaal is gorgeous. You can watch the trailer over at Apple.
It’s time for some self-congratulatory celebration, because Times Like Those is officially one year old!
I started the blog on a whim back on July 10, 2009, and amazingly, I’ve managed to continue posting fairly frequently. With 118 posts to show for the past year, I can’t help but feel a bit proud that I’ve managed to keep it going.
And what could be a better birthday present for a blog that worships Ryan Adams than this news from the man’s own Facebook page?:
“Hey there. I’ve been computer-less in NYC for a few weeks recording. It was great. I made 25 songs but I only like 2 of them- only 2 of them will be good enough so I am going to go on another journey to find some more. I am working very very hard and doing my best. LOVE LOVE LOVE ya’ll and I send you invisible snacks, fuzzy hugs and rocknroll fruit loop dreamsocknroll fruit loop dreams…. XX t… XX theDRA”
“p.s. for everyone that has been asking… I am thinking about doing some solo shows later this year, much later-Me+acoustic or possibly half like that & half w/ the insanely badassed new band I have assembled out here in Cali-I dunno yet tho-still findin my balance in every way post Meniere’s. I am kind of itching to play though. I’ll keep you posted. Thanks for asking/ keepin the faith : )”
And in further celebration, I’m going to drop all attempt that intelligent or artful critique (psh…like there’s ever been any of that on this blog). Instead, here are a few gratuitous photos of some Times Like Those favourites, inspired by my blatantly hypocritical previous article about male actors and superhero movies.
Uh…congrats on the baby, dude… I guess?
^This somehow manages to be sexy and hillarious
Serial killer movies aren’t my bag. And despite the public’s general fascination with forensic shows like CSI, I have no interest in watching shows and movies about grizzly deaths. But the draw of leads Jake Gyllenhaal, Mark Ruffalo, and Robert Downey Jr. in David Fincher’s Zodiac overpowered my weak stomach, and I gave it a try. And I’m glad I did, because I found it suspenseful without being squirmy, and it was an all-around great film.
Zodiac follows the lives of newspaper cartoonist Robert Graysmith (Gyllenhaal) and Inspector David Toschi (Ruffalo) as they each try to uncover the identity of the famous “Zodiac killer” of the 1970′s. San Francisco is rocked by the multiple murders committed by this media-hungry, boastful killer who sends coded messages to the local newspapers, demanding that they print them on the front page. Robert soon becomes obsessed with finding out who is behind the murders for his own peace of mind, while David just wants to close the case. Zodiac alternates between the storylines of the two men as they become more deeply involved in the investigation, and in turn find less leads and more roadblocks.
For a movie about a serial killer, Zodiac has surprisingly little gore. There is one pretty graphic murder scene (and it’s only intensified by the fact that it takes place in broad daylight), but Fincher certainly doesn’t go overboard with the violence. With the mysterious nature of the Zodiac killer and his identity, I think that the film is smart to limit the scenes involving the Zodiac. His actions seem random (though it becomes obvious that everything is actually quite calculated), so to punctuate the story with the occasional shocking death in the first third of the film is very effective. The film takes place over a number of years, and even though Robert continues his obsessive quest to crack the case, the Zodiac killer is no longer sending letters to the press, and seems to have gone into hiding. The film naturally evolves from a story about a serial killer terrorizing a city, into a story about one man’s obsession. I was really impressed by how easily Fincher transitioned between different storylines, and dealt with time lapses of years.
That being said, I did find that the film dragged a little bit in the middle, when a lot of the focus was on Inspector Toschi’s unfruitful attempts to crack the case. The opening hour of the film is undeniably exciting, with the flurry of the killings. To have the story told mostly through the information that the newspaper receives is interesting. When the story switches focus to Toschi, it becomes more conventional. How many movies have we seen about police officers trying to catch a murderer? I loved the last third of the film because, even though it takes place years after the Zodiac killings, it’s fraught with suspense, and personal drama with Gyllenhaal’s character. With a runtime of nearly three hours, I think that Zodiac could have been even stronger if they’d trimmed about ten minutes from the middle.
Although the storylines flip back and forth between Robert and David, I think Gyllenhaal is the star of this movie. He plays the bookish type well, and he handles Robert’s growing desperation perfectly. He doesn’t go over-the-top with his obsession, but he makes the development of his character clear. Robert Downey Jr. makes the best of his limited screen time as a reporter for the newspaper, and steals every scene that he’s in. His charisma is unstoppable, and he adds some welcome humour to the film.
For a movie about a serial killer, Zodiac is surprisingly low-key. But the lack of sensationalism doesn’t mean that it’s not fraught with tension and drama. With three very strong performances, a distinctive mood, and an interesting, thorough character study of Robert Graysmith, Zodiac feels like a fully realised film. It knows what it wants to be, and while it deals with many different facets of an infamous story, it never feels muddled.
I have a few half-finished blog entries floating around on my hard drive, but after seeing a few rather interesting movie trailers at Julie & Julia the other night, I figured that instead of actually finishing anything, I’d share some of the movies that I’m looking forward to most this year.
I’d vaguely heard of Daniel Day-Lewis’ next film a while ago, but I saw the trailer for the first time at Julie & Julia. All I can say is WOW. I’m not exactly sure why I am so excited for this movie. I wasn’t all that crazy about Chicago (which was done by the same director), and while I appreciated the inventiveness of Moulin Rouge!, it didn’t quite do it for me, either. I’m not even entirely sure what this movie is about. Maybe it’s Daniel Day-Lewis, or the incredibly flashy trailer, but something about Nine has just totally captured my curiosity. It looks provocative, over-the-top and just plain exciting, which is refreshing. It’s got an all-star cast (which can sometimes spell disaster, but in this case looks promising), and with Kidman, Cotillard, Cruz, and Day-Lewis, I think it’s going to be good.
Officially released this Friday (and probably never coming to a theatre near me), Ang Lee’s take on the true story of a young man whose property became the site of the legendary Woodstock festival looks like it’ll be right up my alley. The reviews are mixed so far, but I looove Demetri Martin’s stand-up (and I’ve heard that he’s quite good in the movie). The whole 60′s/Woodstock thing has fascinated me for a while (though I do believe that it has all been majorly romanticized), and the movie looks like a wonderful, vibrant coming-of-age story.
Where The Wild Things Are
Excitement levels have been through the roof since the trailer for Where the Wild Things Are hit the internet months ago, and I hopped on the bandwagon right along with everyone else. I love all of Spike Jonze’s work (Being John Malkovich! Adaptation! So many seminal 90′s music videos!), and it looks like he might have topped himself with this fanciful take on the classic children’s book (I’m sure it was read to me at some point in my life…) Whimsical and warm, if the trailer is any indication of what’s to come, count me in.
Well, come on! Robert Downey Jr. is proving himself to be one of the most bankable stars of the late 00′s thanks to his massive comeback in Iron Man, and Sherlock Holmes (set for a holiday release) looks like it could be another huge hit for the guy. I was initially slightly confused by the casting, but after seeing the trailer, I get it. It looks fun, charming, and exciting, and I’m definitely excited for Downey’s performance as Holmes himself. It’s directed by Guy Ritchie and co-stars Jude Law and Rachel McAdams.
Ellen Page is awesome, so of course I’m looking forward to this one. It’s Drew Barrymore’s directorial debut, but after being in movie’s all of her life and producing Donnie Darko, she clearly knows how a movie is made. This roller-derby story looks fun and surprisingly heart warming, and I’m glad to see Kristen Wiig getting more film work (even if it is still a supporting role). And whoever that guy is who’s with Ellen Page in the trailer, I’m keeping my eye on him!
Okay, so this one might turn out to be terrible. But for now, I will at least say that I’m “optimistic” about this remake of the 1980 classic dance film. The trailer looked good, and it feels like this is a good time for the Fame remake to be released. With the success of the High School Musical franchise and shows like So You Think You Can Dance, they’re smart to strike while the iron is hot. Fame looks a grittier and more authentic than High School Musical, and seems to feature genuinely talented teens. (Although I just found out that Fame’s only going to be rated PG? Maybe it will be lame after all…)
Jake Gyllenhall and Natalie Portman are two of the most talented young actors around. And even though the plot kind of sounds like a ridiculous soap opera, I’m still hopeful about this project. Somebody finally thought to cast Gyllenhall and Tobey Maguire as brothers, and judging by the trailer, everyone’s chemistry seems good. To me, Brothers looks like it will be tense and brooding, in a good way.
I don’t know much about it, but this adaptation of the acclaimed Cormac McCarthy (author of No Country For Old Men) novel looks exciting and horrifying. Viggo Mortensen and Charlize Theron are great, and this post-apocalyptic world looks legitimately interesting, unlike some of the big-budget action movies that try to portray a similar world.
The Lovely Bones
I liked the book, so I’m curious to see what they do with the movie. To start with, it’s got a great cast. Saoirse Ronan, Rachel Weisz, Stanley Tucci, Susan Sarandon and Mark Wahlberg are all top-notch actors. While My Sister’s Keeper and The Time Traveller’s Wife apparently fell flat when put to the big screen (though I haven’t read either book or seen the movies), I think that this one could succeed. I’m a bit iffy on the trailer (I think they’re trying to make it look exciting by focussing more on the killing than the Salmon family dealing with the death, which is more what the book was about), but I’ll still definitely be checking out The Lovely Bones.
Okay, so it looks a little sappy/conventional, but I don’t think that there are two better actors out there to pull off a this kind of big, Hollywood romance. I love Aaron Eckhart, and I think that Jennifer Aniston deserves more credit than she usually gets. And any movie that has Judy Greer as the sassy, tells-it-like-it-is friend clearly has some redeeming qualities. Love Happens looks like the kind of movie that I would typically avoid, but I guess I’m just drawn to this one.