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I’ve been watching a few old My Chemical Romance videos on YouTube (don’t ask why), and I noticed that Marc Webb was their go-to guy for direction.
Webb, of course, directed one of my favourite movies of last year, (500) Days of Summer, and is slated to helm the new Spider-man reboot (which I’m feeling more optimistic about. Andrew Garfield! Emma Stone! Dennis Leary!). But, like a lot of contemporary directors, he got his start directing music videos. And since this all happened in the early-to-mid 2000′s, he inevitably ended up directing videos for a lot of post-grunge and “emo” bands that were popular at the time.
Being in middle school around this time, I was greatly influenced by what my peers were listening to. And I actually watched Much Music back then. So, without knowing it, I’m pretty familiar with this guy’s back catalogue. Looking at the list of videos that he’s directed, I can immediately and vividly remember the following videos (in chronological order):
- Puddle of Mudd – She Hates Me (is that Minka Kelly in the video? I honestly can’t tell.)
- Yellowcard – Ocean Avenue
- My Chemical Romance – I’m Not Okay
- Jesse McCartney – Beautiful Soul
- My Chemical Romance – Helena
- Hot Hot Heat – Middle of Nowhere
- Hilary Duff – Wake Up
- My Chemical Romance – The Ghost Of You
- Weezer – Perfect Situation
- All-American Rejects – Move Along (notable for seizure-inducing chorus segments, and Tyson Ritter’s beauty)
- AFI – Miss Murder
- Fergie – London Bridge
- My Chemical Romance – I Don’t Love You
- My Chemical Romance – Teenagers
- Miley Cyrus – Start All Over
- All American Rejects – Gives You Hell
And that’s not even close to half the videos that he’s done. There are a few others that I don’t remember, and a bunch that I never saw, including some with Green Day (first in 2001, and then for their 21st Century Breakdown album), Good Charlotte, Gavin DeGraw’s “I Don’t Want to Be”, Daniel Powter’s “Bad Day”, and Maroon 5′s “Harder to Breathe”.
This might not be a shining era in music history, but you have to admit that Webb directed videos for some pretty prominent songs of the time. And the fact that I can actually remember so many of his videos means that they’re at least somewhat interesting (either that, or I just watched them so many times that they’re permanently engrained in my memory).
In fact, I think that a few of those videos are actually quite good. My Chemical Romance’s “The Ghost of You” is probably one of the best directed videos I’ve seen in a while. And even though it’s melodramatic and over-the-top, the theatrical tone is spot on for their fanbase. Same goes for their gothed-out “Helena” video, and the “Smells Like Teen Spirit” rip-off that is “Teenagers”. I’m not surprised that the band worked with Webb so often, because it seems to me that he deserves a lot of credit for helping them to cultivate a very specific and successful image.
And videos like “Start All Over” and “Move Along” are surprisingly memorable, too. Their concepts are simple and certainly not groundbreaking, but whenever I think of those songs (which, admittedly, is not very often), the music video immediately comes to mind.
Despite working with such a wide array of artists, I’m surprised by what a unique, recognizable style Webb has. I can’t really pinpoint it, but most of those videos have a signature Marc Webb look to them. I had no idea going into (500) Days of Summer that this guy had defined my middle school years, to an extent.
Not to get too sentimental, but I think that time period was the twilight for the music video. Sure, you can find some really innovative videos online by smaller artists, but mainstream videos are largely dead, as far as I can tell. With the exception of Lady Gaga, it seems like the big artists today and their labels are barely putting any thought into music videos. Of course, it doesn’t help that television stations barely play videos anymore, but there’s still the while “viral” market for them online that they could try to tap into. I’m not saying that music videos from the mid-2000′s were great, because most of them weren’t. And maybe I’m just fond of them because that’s when I came of age. But artists like Green Day, My Chemical Romance, and Billy Talent at least attempted some kind of visual style (no, I don’t count Katy Perry’s penchant for sepia tone as a “style”).
So there’s a look at some of the highlights from Marc Webb’s video career (you can see a more complete list on his Wikipedia page here). You can also watch a few of the videos below. I’m hoping to write up some future segments on the music videos of Mark Romanek, Samuel Bayer, and Jonathan Dayton and Valerie Faris.
2009 gets a bit short-changed with everyone focussing on their “best of the decade” lists, but these are my picks for the best movies and albums of 2009. I haven’t heard nearly as many albums as I’d like to, and it’ll probably take me until half way through ’10 to catch up on all of the movies that I want to see from last year on DVD. But from what I’ve seen/heard, here are my lists:
Favourite Movies of 2009
- (500) Days of Summer
- Where the Wild Things Are
- Sunshine Cleaning
- Star Trek
- The Hangover
- I Love You, Man
- Away We Go
- The Princess and the Frog
Favourite Albums of 2009
- I and Love and You – The Avett Brothers
- Monsters of Folk – Monsters of Folk
- It’s Blitz! – Yeah Yeah Yeahs
- Wilco (The Album) – Wilco
- My Old, Familiar Friend – Brendan Benson
- Fortress ‘Round My Heart – Ida Maria
- Territory – Two Hours Traffic
- It’s Not Me, It’s You – Lily Allen
- Backspacer – Pearl Jam
- The Pains of Being Pure at Heart – The Pains of Being Pure at Heart
Each year, movie studios campaign for their films to be considered for Oscar nominations. “For Your Consideration” posters are often made to accompany the campaigns (you can find official examples for this awards season here). Anyways, there are some films that I think should get Academy recognition, but likely will not, so I’ve decided to create some “FYC” ads of my own. It’s my first stab at it, and I’m basically just using Paint, but I thought I’d share what I’ve created (be sure to click on the image to see the full-size version). Let me know what you think!
Often considered the precursor to the Academy Awards, the Golden Globes announced their nominees at the crack of dawn this morning. I made some predictions for the major film categories beforehand, and I was surprised to see that my predictions were 100% correct for Best Actor in a Musical/Comedy, and Best Supporting Actress. I haven’t seen many of the big Oscar contenders yet (like, basically, I’ve only seen Julie & Julia), but I’ve been following this awards season fairly closely. I might post some predictions for Globe winners, or Oscar nominees later on.
Here are some quick reactions to the nominations.
- I was thrilled to see Joseph Gordon-Levitt nominated for (500) Days of Summer, and for the film to be nominated in the Best Musical/Comedy category. It’s my favourite film of the year so far, and I’m glad that people haven’t forgotten about it in the deluge of big Oscar movies.
- The biggest surprise, for me, in the film categories was probably Tobey Maguire’s nomination for Brothers. I’m sure he’s good in it, but I’ve heard very little talk of awards for his performance. The iffy critical reviews didn’t seem to help his chances, either. I would have expected to see Jeremy Renner for The Hurt Locker (who I had predicted), Viggo Mortensen for The Road, or Johnny Depp for Public Enemies in the fifth spot of the category (Clooney, Firth, Bridges, and Freeman were obvious nominees) long before Maguire. But I like when the awards shows keep things interesting with some surprise nominees.
- Sandra Bullock, Matt Damon, and Meryl Streep got double nominations (and in Streep’s case, it was two nominations in the same category!) And even though I’d been expecting it, I’m really confused as to why Bullock got nominated for The Proposal (I haven’t seen The Blind Side, so I can’t judge the validity of that nomination). She was fine in it, but I thought that category had so many other stronger contenders. I would have rather seen Amy Adams (for Sunshine Cleaning, or even Julie & Julia), Zooey Deschanel (though she was the weaker of the duo in 500 Days of Summer, she was still good in it), or Maya Rudolph (Away We Go) nominated instead.
- Though I haven’t seen their performances yet, I’m still glad to see these actors nominated, just because I like them J: Robert Downey Jr. (Sherlock Homes), Daniel Day-Lewis (Nine), Colin Firth (A Single Man), Emily Blunt (The Young Victoria – wasn’t expecting that one!), Woody Harrelson (The Messenger), Julianne Moore (A Single Man)
- I don’t follow the Television awards too closely, but I was really happy to see Glee nominated for Best Comedy, and to see Lea Michelle, Matthew Morrison, and Jane Lynch all nominated! Pretty good for a show in its first season.
- When did it become a rule that Julia Roberts has to be nominated for a Globe for every film that she makes?
- I think that the Best Picture – Musical or Comedy category is a lot of fun. I like Julie and Julia, really liked The Hangover, and loved (500) Days of Summer. I have no idea who’s going to win this category, since early reviews of It’s Complicated and Nine seem a bit mixed.
- Could this be the year that a woman finally wins Best Director at the Oscars? I think Kathryn Bigelow has a good shot for The Hurt Locker. I’m sure she’ll get nominated, but she’ll have tough competition in Jason Reitman, James Cameron (who also happens to be her ex-husband), and even Clint Eastwood. It should be an interesting race.
To read the full list of Golden Globe nominees, click here.
I’ve never really considered myself much of a fan of romantic comedies. I even turned down an invitation to see The Ugly Truth with some friends tonight in favour of seeing the new Harry Potter movie (and because The Ugly Truth looks fairly terrible). There’s so much mindless crap out there that’s targeted towards women looking for pointless escapism, and these so-called rom-coms usually aren’t very romantic or funny. I knew that there were a few I liked out there, but then I stumbled across Paste magazine’s list of the 17 best romantic comedies of the decade. I realise that their article is six months old, which makes it either obsolete or nostalgic in internet terms, but if you want a testament to how current I am, read the subtitle of this blog. ANYWAYS, the point of this is to say that Paste came up with a pretty good list! You can click here to read the full article.
As they admit, they use the term “romantic comedy” pretty loosely. Personally, I never really considered Wall-E or Eternal Sunshine of the Spotless Mind to be comedies, much less romantic comedies (where’s Hugh Grant? And the sappy airport endings?), but I think it was a great choice to include them. Those movies offer an alternative to the usual cheesy fare that always seems to test my gag reflexes. And while movies like Waitress, About a Boy, and High Fidelity are slightly more conventional takes on the genre, they’re also a cut above the rest. They have much better acting, and you can tell that genuine affection went into making these films. I really enjoyed all of the movies on this list that I’ve seen, so what does that say about me? Perhaps I’m not the cold-hearted realist I like to think I am? Perhaps there isn’t anything wrong with me for tearing up during the trailer for The Time Traveller’s Wife for no apparent reason? Perhaps I can enjoy movies where people don’t die and aren’t addicted to drugs and don’t have to deal with real world problems? Maybe all it takes is a good love story.
And speaking of that, here are 10 more “romantic comedies” from this decade that I really enjoyed:
10. Kate and Leopold (Kind of your typical rom-com, but the leads are charming, and the fish-out-of-water story is amusing)
9. 2 Days in Paris (Adam Goldberg is hilarious. The French setting lovely, and it manages to be both incredibly charming and funny.)
8. Meet the Parents (More of a straight comedy, but Ben Stiller goes through it all in the name of love.)
7. Kiss Kiss Bang Bang (It balances a film-noir spoof with a romantic side plot, and both are equally strong.)
6. Elf (Don’t even deny it.)
5. Wristcutters: A Love Story (Stories about suicide are not generally good romantic comedy fare, but this one pulls it off. Darkly funny and romantic.)
4. Definitely, Maybe (Ryan Reynold is charming, and this well-constructed, sweet story is what The Proposal wished it could be.)
3. Almost Famous (Great coming-of-age story that happens to involve rock stars.)
2. Nick and Norah’s Infinite Playlist (It received mixed reviews, but I thought Michael Cera and Kat Dennings had great chemistry.)
1. Garden State (Okay, this one’s a little sappy – and if I remember correctly, the climax takes place in an airport – but even I could not resist cheering for the perfect hipster couple.)
EDIT: Oh, yeah, and how good does (500) Days of Summer look?! I’m dying to see it, but it’s still in pretty limited release, so it’s not playing near me.