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Back in March, I posted my first Oscar predictions of the year. And now seems as good a time as any to revise those predictions and share my latest thoughts on the Oscar race. Though some of my predictions are the same, a lot has changed since March (for example, it’s now confirmed that J. Edgar and Extremely Loud and Incredibly Close will be released in 2011), and my predictions do look fairly different than they did almost five months ago.
Check out my past and current Oscar predictions in the predictions archive, and click here to check out the latest Oscar news and more!

Best Picture
Carnage
A Dangerous Method
The Descendants
Extremely Loud and Incredibly Close
The Girl With the Dragon Tattoo
The Ides of March
J. Edgar
Like Crazy
Tinker Tailor Soldier Spy
War Horse
Other Possibilities: The Artist, We Bought a Zoo, Martha Marcy May Marlene, Drive, Young Adult, Hugo
This category is especially difficult to predict this year, as we don’t know the exact number of nominees. So basically, I just listed the ten films that I think are most likely to receive nominations. Right now, The Ides of March, J. Edgar, and The Descendants seem like the strongest bests to me, but none of these movies have been released yet, and a lot can change once they are. I’m not sure what this new format will mean for smaller films (the 10-nominee format allowed films like A Serious Man and Winter’s Bone to actually get recognized, which is why I like the 10 nominees), but I imagine that star vehicles and/or projects by established directors will take the majority of the slots here.

Best Actor
George Clooney – The Descendants
Leonardo DiCaprio – J. Edgar
Michael Fassbender – A Dangerous Method
Ryan Gosling – The Ides of March
Gary Oldman – Tinker, Tailor, Soldier, Spy
Other Possibilities: Jean DuJardin (The Artist), Matt Damon (We Bought a Zoo), Antonio Banderas (The Skin That I Inhabit)
At this point in time, it seems like Clooney, DiCaprio, Gosling, and Oldman are the major contenders in this race, and the question is who will take the fifth slot. But of course, things that seem like “sure bets” at this point in the year don’t always pan out. Just ask Robert Duvall, who seemed like a shoe-in for a nomination this time last year with Get Low. And even though the lead categories are usually more stable than the supporting actor categories (where contenders can come out of nowhere), it’s still tricky to figure out early on. I would not be surprised at all to see one or two of the “solid” four miss out on a nomination, though I think DiCaprio is a pretty solid bet even at this point. As for my fifth spot, it all depends on how much of a splash A Dangerous Method makes, but Fassbender has been having a breakthrough year, so I’m going with him for now.

Best Actress
Glen Close – Alfred Nobbs
Felicity Jones – Like Crazy
Elizabeth Olsen – Martha Marcy May Marlene
Meryl Steep – The Iron Lady
Tilda Swinton – We Need to Talk About Kevin
Other Possibilities: Michelle Williams (My Week with Marilyn), Jodie Foster (Carnage), Rooney Mara (The Girl with the Dragon Tattoo), Kirsten Dunst (Melancholia)
Like last year, this is a very competitive year in the Best Actress field, which I love. The biggest question for me right now is whether both Olsen and Jones can make it in, being almost complete unknowns with small films. Of course, Gabourey Sidibe and Carey Mulligan both received nominations in 2009, but this seems like a more competitive year. There are many options, but I think that Williams could also easily sneak into the category.

Best Supporting Actor
Kenneth Branagh – My Week With Marilyn
John Hawkes – Martha Marcy May Marlene
Phillip Seymour Hoffman – The Ides of March
Viggo Mortensen – A Dangerous Method
Christoph Waltz – Carnage
Other Possibilities: Paul Giamatti (The Ides of March), Armie Hammer (J. Edgar), Jim Broadbent (The Iron Lady), Geoffrey Rush (The Eye of the Storm), Ezra Miller (We Need to Talk About Kevin), Jeffrey Wright (Extremely Loud and Incredibly Close)
I have no idea what to do with this category right now. It doesn’t seem like there’s a single safe bet, so I don’t expect many of these actors to actually receive nominations. I don’t even know if I’m putting Waltz or Mortensen in the correct category. These just seem like respected actors who might have showy roles, so I’m going with it.

Best Supporting Actress
Viola Davis – The Help
Keira Knightley – A Dangerous Method
Vanessa Redgrave – Coriolanus
Naomi Watts – J. Edgar
Kate Winslet – Carnage
Other Possibilities: Marisa Tomei (The Ides of March), Octavia Spencer (The Help), Judi Dench (J. Edgar), Emily Watson (War Horse)
This category at least seems a little more clearly outlined. Davis, Knightley (assuming she goes supporting), and Redgrave seem like somewhat good bets to me. There are probably at least a couple of other major contenders who aren’t even on my radar yet, but I like this group right now.

Best Director
George Clooney – The Ides of March
Stephen Daldry – Extremely Loud and Incredibly Close
Clint Eastwood – J. Edgar
David Fincher – The Girl with the Dragon Tattoo
Stephen Spielberg – War Horse
Other Possibilities: Alexander Payne (The Descendants), Thomas Alfredson (Tinker, Tailor, Soldier, Spy), David Cronenberg (A Dangerous Method), Nicholas Winding Refn (Drive), Martin Scorsese (Hugo)
This category will obviously correlate closely with the Best Picture nominees, so it’s pretty up in the air at this point. However, I do feel like Spielberg and Fincher are pretty good bets. Eastwood’s nomination will depend on how J. Edgar is generally received (he hasn’t been nominated since 2007′s Letters from Iwo Jima, so it’s definitely not a sure thing), and the other two spots are anyone’s to take at this point.

Remember when I said that Reeve Carney should play Jeff Buckley in a biopic? Probably not. But I did actually suggest that casting choice a couple of months ago when Penn Badgley was cast as the late singer in the upcoming film Greetings from Tim Buckley. And today, The Playlist reported that Carney will in fact be portraying Buckley in the second of two competing biopics.
Now, I’m certainly not the first or only person to notice the comparison between Carney and Buckley, so I can’t brag (though I’m going to try anyways). But while I’m not sure if we need one Buckley biopic let alone two, I think Carney is a great choice, at least visually. And since he’s currently toiling away in the ill-fated Spider-Man musical, we know Carney can sing. The only question that remains is whether he’ll have the screen presence to carry an entire film.
While Greetings from Tim Buckley will cover a very short period in Jeff Buckley’s life (the 1991 tribute concert for his late father, Tim), this second, currently untitled project has much broader source material. The Carney vehicle will be adapted from David Browne’s biography Dream Brother: The Lives and Music of Jeff and Tim Buckley, and it will reportedly cover the period between Jeff’s rise to fame and his eventual death in 1997.
The duelling biopics seem to each have their pros and cons. While I think the untitled one has the more fitting star, Greetings from Tim Buckley (which is set to go into production later this month) may have the advantage with a more compact storyline. Neither film has an especially well-known director, but neither is a newbie. Greetings From Tim Buckley will be helmed by Daniel Algrant, whose last feature was 2003′s People I Know, with Al Pachino and Tea Leoni (which is apparently a film that existed). Meanwhile, the Carney-led biopic will be directed by Jake Scott, who brought us last year’s Welcome to the Rileys.
However, this second biopic may have a slight advantage, since Scott will presumably have Buckley’s original music to work with. Greeting from Tim Buckley is set a few years before the release of Jeff Buckley’s first (and only) album, Grace, and that project does not have the rights to Jeff’s music. But this second project will probably see Carney’s taking on tracks from that album. This puts more pressure on Carney, but it also gives him the opportunity to wow with his renditions of some of Buckley’s best-known songs.
I’m still slightly suspicious that both projects will come to fruition, but if so, it should be interesting to see how each one portrays Buckley.
Carney has been all over television promoting Spider-Man: Turn Off the Dark, so you probably know what his singing voice sound like, but if not, you can check this clip from the musical’s soundtrack to see that he’s very a capable singer. Oh, and if you’d like to see some of my other casting suggestions for musical biopics, I’ll direct you to an older list of suggestions that I made.










