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I’ve had some lists kicking around for a while, so I figured I’d share some of my favourite albums from the past few years with you here. And what better place to start than last year? I don’t think 2008 had quite as many releases that I loved as 2007 did, but there were still some very worthy albums put out there. A lot of new artists proved themselves in a big way.
20. Bring Me Your Love – City and Colour
With his stunning voice and beautiful, simple melodies, Dallas Green’s music never fails to move me. His follow-up to 2005′s Sometimes sticks close to the style that has made him so beloved by indie and mainstream audiences alike, but why try to fix something that isn’t broken? “The Girl” is a fantastic, tender love song, and I love his duet with Gord Downie on “Sleeping Sickness”.
19. Oracular Spectacular – MGMT
MGMT burst onto the scene with hyped-up hits like “Time To Pretend” and “Kids”. Those are two of the standout tracks on their debut album, but so is “Of Moons, Birds & Monsters”, which comes closer to the end. I’m not sure that I want to know what these guys do in their spare time, but their music is pretty infectious.
18. Conor Oberst – Conor Oberst
I think that if Conor Oberst wants to be taken more seriously as a “grown man”, and release mature music with a different vibe to it, like he does on Conor Oberst, I think he’s making the right decision to move away from the Bright Eyes name. Considering he’s only thirty, this guy’s had a long, consistent career, and Conor Oberst just keeps the tradition going.
17. A Piece of What You Need – Teddy Thompson
Ranging from reedy to rich, Teddy Thompson’s voice adapts easily to the diverse line up of songs on A Piece of What You Need. And while the album’s penultimate song, “Turning the Gun on Myself” is every bit as melancholy as the title would suggest, I like that Thompson manages to keep things sparse and haunting, rather than melodramatic.
16. Elephant Shell – Tokyo Police Club
They were one of the most buzzed about new bands before they even had a full-length album out, and Tokyo Police didn’t disappoint (much) with Elephant Shell. Their sound really grew on me, and even though I think a few of the songs could be a bit stronger, it’s an incredibly promising debut effort. And they put on a mean live show, too.
15. Narrow Stairs – Death Cab for Cutie
I like Transatlanticism and Plans more for the sake of sheer listenability, but Narrow Stairs has some great songs (“Cath…”has to be one of their best yet), and overall it does not tarnish Death Cab’s badge of consistency one bit.
14. Only By The Night – Kings of Leon
Sell-outs or not (and look at that picture of them – they’re clearly sell-outs), Kings of Leon released a batch of great songs on 2008′s Only by the Night. There are good songs beyond the hits, but I’m still not sick of hearing “Sex on Fire” or “Use Somebody”. And my favourite radio station has been playing them consistently for over a year.
13. Terminal Romance – Matt Mays & El Topedo
Matt Mays is one of Canada’s best kept secrets, and he’s been putting out great work for a while. Some might compare him to Ryan Adams or even Bruce Springsteen at times (but really, who isn’t compared to Springsteen these days?) but he’s definitely worth listening to on his own merits. Great sound, great voice, great songs.
12. Evil Urges – My Morning Jacket
Evil Urges is probably the best summer album released in a while. It’s impossible to pin it down to one style, but I think that most people could find something on here that they like. It’s all a little twisted, but it’s also a lot of fun. The anthemic “I’m Amazed” is just one of the many great tracks here.
11. At Mount Zoomer – Wolf Parade
These indie favourites disappointed some with their latest disc. I’m not familiar with much of their older music, but their quirky style sure impressed me here, and according to me, Mount Zoomer was the best Canadian release of 2008. Side note: why do I find Dan Boeckner (far right) so attractive, when he is so clearly nothing but trouble?
10. Modern Guilt – Beck
I have a bit of a love-hate relationship with Beck Hansen. (Perhaps I should say, with his music. It makes me sound less crazy.) It’s pretty much what it sounds like. Sometimes I love his music, and sometimes it bores me to tears. But when he teamed up with Danger Mouse (The Grey Album, anyone?) the result fell drastically towards the “love” side of the spectrum for me.
9. Gossip in the Grain – Ray LaMontagne
Ray LaMontagne can do no wrong, in my eyes. Gossip in the Grain is packed with a slew of great little songs (including the much-discussed “Meg White”). All three of his albums have been good, and LaMontagne will surely earn himself a reputation for being one of the most consistent singer-songwriters around.
8. Viva La Vida or Death and All His Friends – Coldplay
Flame me all you want (who am I kidding? No one reads this blog), but I love Coldplay. After a bit of a misstep with 2005′s X&Y, they returned in fine form with their fourth album, Viva La Vida. If it’s possible, they’ve amped up the theatrics, and written some of their best songs yet. Viva la Vida, indeed.
7. Accelerate – R.E.M.
Before Accelerate came along, R.E.M (arguably) hadn’t made a great album since 1992′s Automatic for the People. So when they came back with a concise, (mostly) filler-free set of songs, it’s understandable that their fans reacted in such a big way. But Accelerate isn’t just good by “new R.E.M.” standards. It’s just really, really good.
6. Vampire Weekend – Vampire Weekend
I know that every blogger and their mom loves Vampire Weekend (literally – my mom and dad listen to their album frequently!) But this album was just way too good to pretend to hate. Time will tell if they become a one-album-wonder (remember when the The Strokes were the next big thing?) but what an album it is.
5. Consolers of the Lonely – The Raconteurs
I’m probably going to like anything that Jack White is involved in, and The Raconteurs’ debut album, Broken Boy Soldiers, introduced me to the wonderful world of Brendan Benson. So the odds were pretty high that I’d like the sophomore effort from this “side-project”. But they actually surpassed my expectations and released an album that I know I’ll be listening to for a long time.
4. Made of Bricks – Kate Nash
One of the year’s most surprisingly fantastic releases came from this plucky Brit. Comparisons to Lily Allen continue to run rampant (for pretty good reason), but I might actually like Kate Nash more. She goes from sassy to melancholy in the blink of an eye, and Made of Bricks is one of the most listenable female singer-songwriter albums I’ve heard in a long time. Quirky, but not self-indulgent.
3. Fleet Foxes – Fleet Foxes
I feel a little bit guilty about succumbing to all of the buzz bands from 2008. But they put out such great new work, that it’s impossible to ignore. Fleet Foxes was no exception. Their shimmering, earthy folk is beautiful, and I find myself finding new favourite moments every time I listen to the album.
2. Nouns – No Age
Refreshingly different from a lot of the stuff that I was listening to last year, these California punks are apparently leading their own movement (Canada’s own Japandroids are similarly great). Nouns is raw and fuzzy, but also has a great pop sensibility, which is key for me.
1. For Emma, Forever Ago – Bon Iver
I know, I know. But I couldn’t help it! There’s a reason that For Emma appeared at the top of just about every blogger’s list last year. It’s that good! I think Justin Vernon is one of the most promising new artists around. “Skinny Love” is already a classic, and the rest of the album is gorgeous, too.
Since it’s been a week since my last entry, I thought it was time to get back to the blog. I started university this week. It’s going well, but I’m lazy/busy, so I figured I’d take this oppertunity to just play catch-up and discuss some random topics.
So I am now officially a university student. I’m not sure how I feel about this. I don’t like the hoity-toity aspect of university. One of the very few things that I liked about high school was that it was a public school with so many different types of students. The school I’m going to now is waaay more culturally diverse than my high school, which is a very good thing (residents of my town frequently refer to it as “the whitest town ever“. I’m never sure if they see this as a negative or positive attribute…), but everyone at university seems so damn put together. But my classes seem good so far. I’m really liking my English prof, and political science seems like it will be intersting, even though I know absolutely nothing about politics (hence why I took the course). I’m also taking a cinema studies class. I’m excited to see movies that I never would have watched on my own, and to learn more about the different narrative and stylistic elements that make up a film. (See? I’ve got a bit of the lingo down. I’m already learning things!) I’m nervous about the workload for all of my courses, but hopefully it’ll be worth it.
2. Predicting the future
NBC has announced the line-up for the first few episodes of the new season of Saturday Night Live. I was pleased to see that Ryan Reynolds is slated to host the second episode of the season (set to air October 3. Musical guest is Lady Gaga), since I recently made my list of people who I want to see hosting SNL for the first time, and Reynolds was #6 on my list. Now we just need to get Anderson Cooper on! Or we can settle for Drew Barrymore, who is always funny, and will be hosting on October 10th.
I loved Glee‘s second episode (or, as they like to call it, the “series premiere”, which doesn’t make a lot of sense to me…), “Showmance”. More great musical numbers (Including a priceless scene involving a pep rally performance of Salt N Peppa’s “Push It”), and sharply satirical dialogue. And is just me, or are Will (Matthew Morrison) and Emma (Jayma Mays), the best will-they-won’t-they TV couple since Jim and Pam? Apparently Wednesday’s episode got pretty good ratings, and the show seems to have a great buzz surrounding it, so that’s encouraging.
4. Brendan Benson
I love Jack White’s fellow Raconteurs frontman. I could listen to him sing anything, but I recently picked up his debut album, One Mississippi, and I’ve been spinning it constantly since. His songs are simple, but so catchy and listenable. I also need to get his latest album, My Old Familiar Friend, but for now, I’m content with listening to this one over and over. I’m just wondering why there was such a gap between 1996′s One Mississippi and 2002′s equallly excellent Lapalco.
There are some tidbits of what’s going on in my life, and what I’m digging right now. Hopefully I’ll be getting another “real” blog post up soon. I think that the entries are really going to slow down over the school year, but I’m going to try to not forget about the blog entirely
Two nights ago, I watched the pilot episode of Glee with some friends. This episode was first shown after the American Idol finale way back in spring, but they’ve been showing it again in preparation for the ”series premiere” next Wednesday. Two of my viewing companions had already seen the pilot (for one of them, it was her third time watching it), and I was a bit perplexed by their addiction to a show that has only one episode, so far.
I wasn’t quite sure what to expect from the show. It’s been getting good reviews (judging by the hyped-up commercials), but it also looked a bit too High School Musical-y for my liking. But I went in with an open mind, and was pleasantly surprised by the pilot.
It started off with some of your usual high school cliches. The bullies are dumping some poor murse-bearing lad in a dumpster, and Jane Lynch is a drill sargent in a jumpsuit who’s terrorizing the cheerleading squad. And then you’ve got Will Schuester, the bright-eyed young Spanish teacher who’s determined to save the school’s glee club. But while High School Musical basks in such cliches, Glee definitely has a darker, satirical edge to it. There’s blackmail, teachers getting fired for inappropriate behaviour with students, and a general lack of the G-rated merriment that’s to be found in the High School Musical franchise. That’s not to say that it’s an especially racy show, but Glee is just a little less naive.
And then there’s the singing. Glee is not a musical – people don’t break out into song while doing the dishes, thankfully. But the pilot featured several musical numbers put on by the glee club. And while these numbers could have broken up the show too much, I really enjoyed all of them. The cast features several very talented young singers, and it’s really fun to listen to them take on “You’re The One That I Want” from Grease, and Journey’s “Don’t Stop Believing”. Also, a rival school’s glee club had quite the production of Amy Winehouse’s “Rehab”, which was bizarrely hilarious.
Both the adults and the young stars of the show are well-cast. Matthew Morrison is very likeable as Will, the glee club leader who seems a little bit out of his comfort zone. Jayma Mays is a germaphobic fellow teacher, and makes a charming would-be love interest for Will. The two stars of the glee club, Rachel (Lea Michele) and Finn (Cory Monteith) are a lot of fun, too. Though the two of them could be boiled down to stereotypes, the show is already fleshing them out into fully-formed, fascinating characters. And I have to admit, my heart was shamelessly fluttering for Finn by the time the credits rolled.
I’m not entirely sure if an hour-long satire that’s so focused on musical numbers will be able to find a big enough audience, since musicals (Viva Laughin) and well-written shows (Arrested Development, Freaks and Geeks, etc) don’t usually fare too well with TV audiences. But I think that Glee’s positive buzz and sharp writing will help it acquire a devoted following. I’m usually reluctant to watch new shows, for fear that they’ll either be terrible, or be cancelled as soon as I begin to get attached, but I’ll definitely be tuning in Wednesday nights for Glee. And I might just be tuning into to watch the “tweetpeat” (whatever the hell that is) of the pilot tonight at 9.